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Scene 1
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David Preston’s
bedroom. The bed is center stage. There’s a picture window
behind the bed. It’s morning and the sunlight is streaming
through. Jonathan and David are naked, in bed and in an embrace
- the amount of initial covering of the lovers is to the director’s
discretion; however, since this is the only naked scene in
this work, and some members of the audience are waiting to
see some flesh, revealing as much as possible is greatly encouraged
by the playwright.
The alarm goes
off. David reaches over and shuts it off.
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JONATHAN
(waking and groggy)
What time is it?
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DAVID
Seven. There’s still
time.
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|
JONATHAN
Fuck, you say.
Jonathan quickly
gets out of bed.
You’re not going in
today - but I have at a 9 o’clock staff meeting.
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|
DAVID
Get your ass back here.
We’re just a half hour away - or does it take you a long time
to make yourself pretty.
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|
JONATHAN
(Crawls back to
bed, on top of David and kisses him)
I have to shower and
shave and some how resuscited my suit. It’s a wrinkled mess.
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DAVID
You’re such a fag.
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JONATHAN
Look who’s talking.
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DAVID
(getting up. He
goes to the closet and gathers some pants, a shirt, a tie
and a green plaid sports jacket).
Here, wear these. We’re
about the same size.
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JONATHAN
I need a suit.
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DAVID
Well I don’t wear suits.
So, your options are be wrinkly - wear my duds or screw
the staff meeting, call in sick yourself and screw me.
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|
JONATHAN
Very tempting. But,
who’ll fight for your honor at work if both of us lay around all
day and froth at the mouth.
They both sit at
the edge of the bed - quietly
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|
DAVID
What’s wrong? Has the
daylight made things look differently? I could very well go in
and face it all.
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JONATHAN
No, it’s scary - but
I said I would.
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DAVID
Yes, in the moment
of passion and with a mouthful of Chinese food you said you’d
be my shield and sword. But now, with the passion passed, I could
well understand if you reneg.
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|
JONATHAN
Reneg? The passion
is still raging - but I am still afraid of the compromise I may
need to make.
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DAVID
You should be afraid.
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|
JONATHAN
Thanks. This has helped
me.
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|
DAVID
No. love - you should
have been afraid a long time ago - so afraid that you’d break
away from that mother-fucker. But, whatever fear you are released
from today, there is always me. I am here. I will be your rock
and pillar.
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|
JONATHAN
I will be strong for
that.
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DAVID
Go shower and get dressed.
Jonathan laughs
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JONATHAN
No. I’m going to stink
today - and have stubble.
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DAVID
Good for you.
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JONATHAN
And dress in my boyfriend’s
tacky clothes.
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DAVID
Fuck you!
Jonathan jumps
up and dresses in David’s clothes. When he’s finished (except
the tie and jacket), David burst into a fit of laughter.
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JONATHAN
What? What’s so funny?
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DAVID
You never looked better.
(David takes the
tie, goes behind Jonathan and ties it around his neck lovingly.
Then he kisses Jonathan’s neck).
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JONATHAN
I’ll wear those kisses
all day.
David takes the
jacket and helps Jonathan with it. The jacket is green plaid.
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DAVID
Last night you robed
me in your armor. This morning I robe you in mine. Kneel.
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JONATHAN
If I give you a blow
job now, I’ll be late.
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DAVID
Just kneel.
Jonathan kneels
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"Go in peace,
since both of us have sworn in the name of the Lord, saying, The
Lord shall be between me and you, and between my descendants and
your descendants, forever."
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|
I love you dear warrior
because you have made me forget the battle and made me retire
to this haven of peace, with nothing but the sweet memory of you
between my legs and your soul within my heart. In a flash, we
have had the trust of the ages as our legacy and the baptism of
the love of man as our testimony.
David kneels
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|
When you enter the
den of mammon, I will be there with you. I will stand in your
heart as fierce as the lion of Judah, as strong as the temple
we shall build. And when the king roars his loudest and shows
his teeth to make you quell, remember he is nothing to us and
the lord, and to the annointed. Ours is the legacy of truth. I
seal it with a kiss.
(kisses him on
the lips for a long time - then they embrace)
Jonathan rises
and leaves slowly.
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|
Go noble warrior. Many
have gone before you.
Exit Jonathan.
David stands.
Go noble warrior to
your father’s hearth and make him know the victory of truth and
steadfast love - of love consummated beyond the laws of Levitticus
and the spurns of Sodom. We and we alone have purified this temple
- and I will never lull the giant to sleep again for so low a
cause as vane glory. Go my noble warrior. Go.
(black-out)
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Scene 2
|
The Board Room
at Dundee and Batcliff. There’s a long table with an impressive
chair at its head. J. Babcock Saul sits at the head, in a
contemplative fashion. He is the only one at the table. He
plays with a pen. He is quiet for a while, then muses:
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SAUL
I had a dream last
night. A forboding dream. A dream like I never had before. I never
remember my dreams, but I can recall this one. I dreamt I couldn’t
sleep. I had the worst case of insominia I ever had. I walked
around my office and they all came to visit. One after the other,
they all came. They had no names. They just had faces. Some I
recognized - while others I didn’t. And they all said the same
thing. "Saul, you cut me adrift and my life was changed forever.
A curse on your name. A curse on your life."
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|
Then, I saw this David
Preston fella. He didn’t curse me. He carried a guitar. I remember
it clearly, it was a red guitar, with golden fittings and silver
strings. And he wore a funny looking jacket - a green plaid jacket.
He didn’t look so bad. He was rather friendly and he said, "JB
- can’t sleep a wink. I have the very thing."
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|
Then, he played on
the guitar a sweet melody. I’m not a music fan. At least, I used
to like good music, but with the career and all - I forgot. Then
the guitar played sweetly. It was the most wonderful tune I ever
heard. I was lost to it. I sighed and gradually feel asleep. What
peace this was. Then I woke up. For real. Strange - I was dreaming
I was awake and only awoke when I dreamt I fell asleep. What magic
bullshit is this?
(sighs)
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|
I need to shake this
off - they’ll be here soon.
Enter Dora End
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Ah Dora.
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END
JB, they’re coming
in. They’re assembled outside in various fashions, eager to hear
the official word about Gil Samuel. And I have this . . .
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She hands him some
paperwork. He reviews it.
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A transfer order moving
Preston to the Inccunabula division.
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SAUL
Excellent. I just can’t
wait to spring this on him. Let’s see how he handles the surprise
- and old, dusty books that never see the light of day.
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END
Shall they come in?
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SAUL
Absolutely.
Dora End opens
the conference door and Mr. Boles, Mr. Fight, Ms. Hager, Mrs.
Grimshaw and Mr. Pilasar enter, chatting about this and that
and finding seats around the table (no backs face the audience).
There are 2 seats empty.
Babcock Saul looks
around for Jonathan and David.
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|
Miss End, where is
David Preston?
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END
Not here yet.
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SAUL
And John Warren?
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END
Same. Shall we begin
without them.
(pause)
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SAUL
Well some preliminary
business to start.
(he stands)
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|
Welcome, gentlemen
. . . and ladies, to our first official staff meeting since I
began my blueprint innovations. I’d like first to introduce you
all to Miss Dora End. Miss End is replacing Gilbert Samuel as
my chief council and . . .
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|
Jonathan enters.
He is dressed in David’s green plaid sports jacket, and is
quite slovenly compared to his usual appearance. All turn
as he enters. Saul sits down with a thud. He stares at the
Jacket as it is the jacket in his dream.
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JONATHAN
Sorry, I’m late, JB
- I had a late start and traffic was a bitch.
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SAUL
That’s . . . that’s
all right . . . John. I’m just surprised that . . .
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JONATHAN
At what, JB?
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|
SAUL
At . . . well, nothing
really.
Jonathan sits.
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END
JB was just introducing
me as Gilbert Samuel’s replacement.
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JONATHAN
I knew that Dora. I
knew yesterday that Gil Samuel was . . .
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END
. . . chose to retire?
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|
SAUL
And what a loss his
services will be. I knew he wanted to retire for some time; however,
I truly hoped he would have worked with me in the transition .
. .
(he stares at the
jacket and looses his train of thought)
. . transition. There’s
something different about you today, John. But, no matter. As
for Samuel, the zeal to play golf in Boca Raton certainly outweighed
any consideration he had for good old Dundee & Batcliff. Nonetheless,
John, where’s Dave Preston? Have you seen him yet?
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JONATHAN
He won’t be here today.
|
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END
He must be here today.
How could he not be here today?
(the staff members
are all buzzing about this issue)
|
|
JONATHAN
I’m sorry to be the
bearer of bad news, but Dave Preston injured himself playing racketball
last night.
|
|
SAUL
A sports injury? How
can that be? He’s . . . well, no matter. He could have conferenced
in to this meeting. He could have made arrangements to hobble
in - this is not a straneous exercise - It’s a staff meeting.
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|
END
I guess, JB, Dave Preston
is not concerned with the urgent business at hand, especially
business concerning him directly.
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|
She indicates the
paperwork. Saul touches it, but looks at Jonathan.
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|
SAUL
Well, I guess those
matters can wait until tomorrow - if he manages to hobble into
work. Did he call you, John? How do you come by this information?
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JONATHAN
I was his racket ball
partner last night.
(Saul stands again)
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SAUL
And he called you this
morning or did you accompany him to the hospital? Just how did
you manage to allow Preston to become incapacitated? You know
how much I wanted him at this meeting today, John! You knew that
it was part of my blueprint to present him with his deserved rewards
today, John. I am disappointed that you were unable to manage
this, John. Very disappointed indeed.
(Jonathan stands)
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END
To business then, JB.
(Saul sits)
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SAUL
No business. No business
today! Maybe next week. Go, all of you.
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|
They all scurry
away, except Jonathan and Dora End. She watches JB, then saunters
out, taking the paperwork with her. Jonathan walks over to
JB, who has his face in his hands.
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JONATHAN
JB, I don’t understand
you. I’m sorry I’m late, but if I choose to play racket ball after
work with David Preston, that’s my decision. It’s not my fault
he’s injured, and certainly not my fault he’s absent.
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|
SAUL
(looking up suddenly)
And where did you get
that jacket?
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JONATHAN
Why?
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SAUL
That jacket is not
like you. You’ve never been uncoordinated in your life! Now you
come to work late, unshaven, in a loud jacket and tie, and the
aroma of a gymnasium - and to my staff meeting. My lieutenant,
embarrassing me in front of these shit heads! I need an explanation!
I demand an explanation.
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|
Jonathan is upset.
He begins shaking. He exits quickly.
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Saul stands and
paces about the room.
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|
What’s happening here?
My plans are overturned. I am defied, and by my closest and dearest
boy! I can’t tolerate this behavior. That would be bad management
on my part. Such rebellion needs to be tempered at once by the
sword and firebrand.
(he moves close
to the audience and takes a battle stance)
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|
Once a defenseless
boy decided that no one in Canaan would be more powerful than
he. Once the oil that crowns the lion of Judah annointed the king
of kings to rule the holy valley and master the Levites at their
best ritual. None shall thwart the prestige and power of the king.
None shall share it but his son; and no son will defy a father
thus.
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|
And the fruit of the
loins of Jesse will not threaten me with war or obstinance. The
curse of Sodom will not shadow my rein of greatness - for it is
loathsome in the eye of the Lord and trevail to the pure laws
I am charged to keep. Defiling the soul of Israel with the scum
of Gomorrah, undoes me.
(he suddenly crouches,
as if attacked)
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|
But in the dream, the
ghosts of the conquered snap at my feet; only the harpist soothed
my temples with the balm of melodious vintage. I am going mad
to think that any one would defy me.
(the set blacks
out. Spot on Saul)
(pause)
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|
So, John Warren - you
find merit in this, my enemy. So, John Warren you question my
solutions and my process. But, of course, I cannot be too severe
on the one who shares my office and who will one day share my
family, can I? It’s just a question of letting the lad spread
his wings a little. Now, if he defied someone here at this shit
hole company, what would that prove. No, he needs to hone his
defiance on a true master, to be a true master. So, John Warren
you find merit with my enemy - but can you hold your ground against
me. That won’t be easy, I’ll warrant - but, I will allow for your
compromise and for you apology. What harm can there be in this?
|
|
On the other hand,
Dave Preston is banished in my eyes. No Pinko, Fag Activist -
no bleeding heart liberal for every cause - will ever be a leader
of merit on my watch. I wanted to jolt him today in front of his
peers with that transfer to oblivion. I wanted to do it! I wanted
to revel in it! But, some how that bastard knew! Somehow . . .
somehow.
(pause)
O, so that’s the game,
John Warren. Can I forgive you this transgression as well? They’ll
be some payment here, I can tell you that.
|
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Scene 3:
|
The lights
come back up. The scene is John Warren’s office. He’s
standing nervously by his desk. Saul walks upstage into
the scene.
|
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JONATHAN
JB! You here?
|
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SAUL:
Yes, my boy. John,
may I sit?
(does so without
permission)
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JONATHAN
JB, I know you’re upset
at me being late and . . .
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SAUL
So, John Warren - you
find merit in this, my enemy.
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JONATHAN
JB, he’s not an enemy.
He’s a human being, with needs and talents like us all. He wants
to be a part of the new scheme of things - but, we need to respect
the precedents that the company has allowed him over the years.
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SAUL
And what precedent
may that be, John Warren? That Gay people have special privileges.
They can wear flamboyant clothing and earrings to work. They can
sleep around with whom they choose and charge the company for
health care. They can spread their disease, both physical and
mental, to others and encourage people like them to form union-like
organized blocks to defy the simple business measures meant to
improve the overall associate population and the shareholders.
Tell me John, which precedent do you refer to?
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|
JONATHAN
JB, you are making
too big a deal over this. This is no big fucking deal.
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SAUL
Why John, you surprise
me.
|
|
JONATHAN
It’s simple. David
is a good person. He is very talented and a visionary. He has
leadership skills - but most important; he’s a great guy. He has
a wonderful personality - he sparkles when he laughs and he just
feels right to be around. I have never met a person quite like
him.
|
|
Saul looks at Jonathan
strangely
|
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SAUL
That fruity jacket
has gone to your head.
|
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JONATHAN
(stands angrily)
It’s his fruity jacket.
It’s his tie, shirt and pants also. Mine are over at his apartment,
where I spent the night.
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SAUL
Well, that explains
that. That’s ok. If you went to the hospital with him - it’s only
natural that you’d oversleep and need some fresh clothing in the
morning.
|
|
JONATHAN
You don’t get it, JB.
I spent the night with him. In Bed! Making love. Sex! God Damn
it, JB. I love him! And I will not have you destroy what I love!!!
|
|
(Saul’s mouth opens
wide. He puts his hands over his ears)
|
|
I’m sorry, JB. I could
never tell you. Even when you had me taking Mira out on dates
and talking about girlfriends with your wife. I’m Gay, JB. I’m
sorry if you hate me for it, but that’s who I am and will always
be. I’m Jonathan Warren, faggot, fruit, pansy, fucking cock-sucker,
in love with David and Gay as queerest folk you can name!
(begins to cry)
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|
SAUL
(looks at Jonathan
with anguish)
You aren’t gay, my
son. You’ve just experimented with a queer influence. I should
have never put you on this project.
|
|
JONATHAN
No, JB - I was queer
long before David appeared on the scene. But now that he’s here,
I will not let him go - and I will not see you destroy him without
destroying me as well.
|
|
SAUL
(Shreaks - then
calmly composes himself. Long pause)
Then, you shall have
the rest of the day off to consort with your lover. I need to
rethink your place in this company and your relationship to this
top office. Good day.
(Saul exits with
great composure - his anger and anguish seathing beneath the
surface)
(black-out)
|
|
Scene 4:
|
The rooftop of
David Preston’s apartment building. There’s a view of the
city and sounds of traffic below. It’s nighttime. There’s
a full, bright moon. David stands upstage overlooking the
city. He gradually turns and moves downstage and looks out
over the audience.
|
|
DAVID
City of Sweet Children,
empowered by a restless god, moving to all corners at all hours
for all reasons known but to each heart, bring my love back to
me in the safeness of your ebb and flo. It is the harrowing hour,
when we reach the brink of our flight and have thrown our trust
to the latent winds - the one’s that follow the storm, but refuse
to take part in the gale. Give my sweet love lift and float. Bring
him to me in this safe haven.
|
|
Would that I could
fly to the moon - this bright moon, that kindles the evening air
with wonder and passion. Would that these rooftops were trampolines
to catapult me to polaris. I would sing the soul terrific then.
All would know that David loves Jonathan - and David is king.
Would that he could fly - such power would he endorse upon the
sweet children of this city.
Enter Jonathan,
quite sad. By the time David gets to the last sentence of
this next dialog, Jonathan is in David’s embrace.
|
|
City built to mammon’s
honor and hour, which counts only the gold piles and the market
flux - wrap us in your ignorance and uncaring eyes. Turn your
apathetic ear to us and allow us to live without reproach in these
bowels and on this bald pate of your highest point. Be forgiving
of things that need no forgiveness and we will honor your cold
soul with the warmth of our fiery spirit. Breathe with us - fly
with us. Make us the temple for your heritage and legacy - the
birthright we have as your children, to be left to our natural
selves. To caress what we know to be real and undefined by pope
and legislature, by the decayed and fallow. We are defined by
the moonlight only at noon in midnight’s deep.
David and Jonathan
embrace
|
|
So, how did it go?
|
|
JONATHAN
It went.
|
|
DAVID
That bad. Am I shit-canned?
|
|
JONATHAN
Not yet, but I’m certain
to go.
|
|
DAVID
You came out to him.
|
|
JONATHAN
In a manner of speaking.
I feel mortified that I did, at least in the way that it happened.
|
|
DAVID
But you no longer need
to live the lie.
|
|
JONATHAN
He made me angry. He
acused me of falling under your spell.
|
|
DAVID
And you have.
|
|
JONATHAN
He said our love was
experimental.
|
|
DAVID
All love is experimental.
|
|
JONATHAN
Stop it. I’m trying
to tell you.
|
|
DAVID
Sorry.
|
|
JONATHAN
He made me angry and
I shouted at him - and shoved my gayness in his face.
|
|
DAVID
Well, that’s one way
to do it. The books suggest more subtle hints and finally a concise
revelation with some hooks for the receiver of the news to grapple
with reality. But, shouting it out . . .
|
|
JONATHAN
Complete with fuck
and faggot and queer . . .
|
|
DAVID
. . . with fuck and
faggot and queer. Did you use fairy and fudgepacker as well? A
regular pink lexicon came shooting out of you, did it?
|
|
JONATHAN
It was strange. As
I released all that anger and said those words - I could see the
words, as if they were frozen breath or . . .
|
|
DAVID
Or dragon’s fire.
|
|
JONATHAN
Well, he was hurt.
The man has been my mentor and looked upon me as his son - and
here I brought him down with one blow.
|
|
DAVID
He treated you like
a slave, a lackey . . . and he is probably more angry at his loss
of control over you -- you know --- manage --- the french
for to control a horse.
|
|
JONATHAN
You’re probably right?
|
|
DAVID
You know I’m fucking
right! But, also, you are so sensitive that you don’t want to
hurt him or anyone else. That’s what I love most about you . .
.
|
|
JONATHAN
Besides my dick.
|
|
DAVID
That too - but there’s
more to love than lubrication.
(pause)
|
|
JONATHAN
Well, I think I will
be shit canned too.
|
|
DAVID
So what. We are good
together and apart. We’ll both get better jobs and be there for
each other at the end of the day.
|
|
JONATHAN
Every day?
|
|
DAVID
Forever.
|
|
(they kiss)
|
|
So, let’s celebrate
this union. Let’s go have a drink.
|
|
JONATHAN
And boogie until the
cows come home.
|
|
Scene 5:
|
The sound of house
hip-hop begins to play as the scene changes to the Splash
Down, a gay bar and club. Laser and strobe lights begin to
flash. The Moon turns into a dance ball and begins to spin.
David and Jonathan dance in place as the set changes. Others
(if they are available - consider double casting the office
staff members) dance. We also see Barney Harper and his date
(Max Linkletter) dance on.
|
|
BARNEY
(to Max) There’s
my boss. You need to meet my boss.
|
|
MAX
I will. Gotta pee first.
|
|
BARNEY
What? (The music is
still loud)
|
|
MAX:
(
(shouts) Gotta pee.
|
|
BARNEY
Ok.
|
|
Max leaves, while
Barney saunters over the bar area (stage left). David and
Jonathan leave the dance floor and move stage left. The music
gets a little softer so the dialog can be heard, however,
it is delivered a little louder than usual - for the effect.
|
|
DAVID
Hey, look - there’s
Barney Harper, from the office.
|
|
JONATHAN
I remember him.
|
|
DAVID
Hey, Barney.
|
|
BARNEY
David, what brings
you here tonight? I heard you sprained your ankle playing racket
ball. Looks like you’re off your crutches already. (laughs)
|
|
DAVID
Well, that’s a long
story. You remember Jonathan Warren.
|
|
BARNEY
Yep. Crowded tonight
- bridge and tunnel night.
|
|
DAVID
Here alone?
|
|
BARNEY
No. He’s in the T-
Room. But, I need to tell you something about him.
|
|
DAVID
He’s got one leg?
|
|
BARNEY
No.
|
|
JONATHAN
He’s got three legs.
|
|
BARNEY
Maybe. But, I really
feel I may have done something wrong and need to tell you.
|
|
DAVID
Shoot.
|
|
BARNEY
He’s related to one
of our competitors - and I think that there might be a conflict
of interest me dating him.
|
|
DAVID
That shouldn’t matter.
As long as you don’t give away state secrets. (to Jonathan) And
who gives a shit now.
|
|
BARNEY
No really. He’s the
son of one of our direct competitors.
(Max returns)
Here he is. Max, I
want you to meet some Dundee & Batcliff people. This is my
boss David Preston and . . .
|
|
JONATHAN
And his partner, Jonathan
. . .Jonathan Warren.
|
|
BARNEY
Jonathan - David, this
is Max . . .Max Linkletter.
|
|
JONATHAN
& DAVID
Max Linkletter!
|
|
DAVID
Hiram Linkletter’s
son?
(Max affirms with
a nod)
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|
JONATHAN
(To David) Hiram Linkletter’s
son is gay?!
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|
BARNEY
I knew you’d be mad.
|
|
MAX
Don’t worry, Barney
and I rarely talk business. I don’t even work for my father. And
besides, he’s cool about it.
|
|
DAVID
You mean, your father
is . . .
|
|
MAX
Gay friendly. Very
much so. He’s the president of the PFLAG chapter here in mid-town.
He’s very gay friendly.
|
|
JONATHAN
And your father . .
.
|
|
MAX
Great guy - love him
to pieces. You’d like him too. He’s very open about his charitable
work in the community. Mom and Dad even marched with me in the
Gay Pride Parade.
|
|
DAVID
I think this calls
for a drink.
|
|
BARNEY
You’re not mad at me.
I still have my job, right?
|
|
DAVID
Barney, you butch queen,
not only am I NOT mad - I am positively - fucking fantabulous
to find out that Hiram Linkletter’s son is gay and that his father
is a gay- ally. In fact, what are you all drinking?
(David orders
drinks from the bar. They all raise their glasess as the music
starts to get louder)
|
|
To Hiram Linkletter
- and the future!
|
|
All:
|
To Hiram Linkletter
and the future.
(They drink. David
starts to laugh. Jonathan chimes in. All four are laughing
as the music picks-up)
(black-out)
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|
End Act Two
|
|
| |
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