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Scene 1
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Seven weeks after.
The squad enters as the Act begins into the barracks. They
are returning from PT and are dragging their asses and bitching.
Gibbs has undergone an amazing transformation. He has lost
about 100 lbs and is now about 160 lbs - He is winded as he
enters and grabs his towel getting ready for a shower. The
scene freezes and a spot light is on Gibbs. The narrator (Winslow)
is side stage by the lectern - however, he speaks from darkness.
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WINSLOW
After almost nine weeks
of running 5 miles a day, doing calisthenics twice a day, running
the PT test twice a week and a 25-mile force full pack march once
a week - plus the meager food rationed out to me - no wonder I
lost 100 pounds. My progress was so spectacular that I was made
squad leader, a position that did not endear me to everyone in
Special Company B 1st Sqaud, especially Krasnar.
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Krasnar goes over
to Gibbs and puts his face in his face.
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KRASNAR
What was that shit
you were chanting when while you ran the mile?
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GIBBS
None of your business.
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KRASNAR
I heard you. "Never
give up, the Lord is with me!"
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GIBBS
Yeah. My faith gets
me through all this. Do you mind
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KRASNAR
You are the biggest
fucking hypocrite in this place. "Never give up - the Lord
is with me" Hon, you should drop that shit and just sing
a show tune like the rest of us. In Judy Garland is our hope.
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GIBBS
Listen, get away from
me.
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CHAUNCIER
Let’s not bicker boys.
We had a nice day in the park and I want to sleep without worrying
about you two.
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KRASNAR
Go carve something
will you.
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GIBBS
Just go back to you
bunk.
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KRASNAR
O the big ass squad
leader is giving me an order. O yes you lordship - I’m going now.
(he goes, and bows
and scrapes as he does)
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GIBBS
(under his breath)
Bastard.
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KRASNAR
(hearing him)
Listen, you’re not so fit now that I couldn’t beat your ass to
crap.
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AVILIA
Get back here, before
you get yourself in real trouble.
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Krasnar goes to
his locker. Gibbs strips and put on a towel, grabs his ditty
bag and exits to the shower.
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CHOLA
(to Avilia) He’s
getting so cute. Remember when he was such a fat pig.
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AVILIA
He hasn’t changed.
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CHOLA
What do you mean? I
remember seeing him in the shower when he first came here - and
he had more rolls of fat than my Eskimo mother. Now look at him
- just little love handles and hung like a horse. Hon, he can
spark me anytime.
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HUEY
Is there room for three
in your bunk?
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AVILIA
You guys. What I meant
was that Gibbs hasn’t changed in any way. He was nice when he
came in and he’s nice now.
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KRASNAR
Nice. He’s a fucking
closet queen.
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AVILIA
At least he’s a queen.
What I hate are those closet breeders who will do anything to
get out of here.
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KRASNAR
I’m bisexual.
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AVILIA
You mean asexual. You’re
as cold as they come and wouldn’t know a nice guy if you saw one.
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KRASNAR
I know you.
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AVILIA
You think you do. You’re
a user - but nothing I could say would shook you into the truth.
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Chola strips and
grabs his towel.
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CHOLA
Well, it’s time for
the show.
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HUEY
I’ll join you.
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CHOLA
No, I’ll visit you
later. Let me work this one myself.
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HERTBIE
You guys are sick.
I’m gonna tell Gibbs.
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KRASNAR
Shut up garden-boy!
Chola, be careful. Our new squad leader’s a homophobic prick.
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CHOLA
You peaked.
Exits to the shower
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CHAUNCIER
I don’t know girls.
All this PT has gone to your head.
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HERTBIE
Chauncier’s right.
It’s bad enough we have the sergeants on our ass. We need to stay
off each other’s ass.
They all laugh
hysterically.
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What? What’s so funny?
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Black out.
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Scene 2
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Spot comes up on
the shower room. Gibbs is in the shower lathering up and singing
from Gilbert & Sullivan’s The Mikado:
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GIBBS
"On a tree by
a river a little tom Tit
Sang willow tit, willow,
tit willow.
And I said to him dickie
bird, why do you sit
Singing willow, tit
willow tit willow."
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Enter Chola with
a towel on.
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CHOLA
The Mikado?
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GIBBS
Startled at first,
and now conscious of being naked in front of Chola
Yeah, the Mikado. Are
you . . .
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CHOLA
Yes. I love Gilbert
&Sullivan. I know the Mikado well:
"Three little
maid from school are we,
Pert as a school girl
well should be,
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GIBSS
& CHOLA
Filled to the brim
with girlish glee.
Three little maids
from school."
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Gibbs is embarrassed.
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CHOLA
What’s the matter,
Gibbs? Don’t be ashamed to sing the girl’s part. We’re just singing
good music. It has no other meaning.
He takes his towel
off and starts to shower.
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"The sun whose
rays are all ablaze
With ever living glory,
Cannot deny his majesty
He means to tell a
story."
Wow, hear the in echo
in here. Did you ever notice how butch we sound in the shower?
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GIBBS
I always sing in the
shower.
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CHOLA
You have a good voice.
Did you study?
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GIBBS
At the Brooklyn Conservatory
of Music. Opera.
(Gibbs’ eyes wander
to Chola’s crotch)
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CHOLA
Well it shows. You
know what else shows.
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GIBBS
Don’t go there.
Covers his crotch
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CHOLA
No, really. You’ve
lost so much weight. I know they torture us here, but such an
achievement to loose so much weight.
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GIBBS
Did I have a choice?
But I must admit it’s nice to touch my ribs. I didn’t even know
I had ribs - I’ve been big since age 13.
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CHOLA
And I see other improvements
as well - you know, the smaller you get, the bigger you get.
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GIBBS
Stop. You know I’m
not queer.
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CHOLA
I know no such thing.
I don’t believe in categories and labels. We live in the moment
and whatever floats your boat is ok. But looking at the state
of things down there, I can only say that you are either aroused
by something in this room or maybe it’s the Gilbert & Sullivan.
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GIBBS
(shakes)
(whispering)
Help me!
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Chola gently embraces
him and kisses him on the cheek removing his hands from the
crotch replacing them with his own hands. He then takes Gibbs
hand and put it on his crotch. Enter Krasnar
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KRASNAR
What’s this I see?
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GIBBS
Shit. (to Chola)
Get away from me you queer!
He pushes Chola,
who falls, hitting his head. Krasnar goes to his aid. Gibbs
exits quickly.
(black out)
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Scene 3
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The barracks with
Gibbs entering from the Shower. He is very upset and holds
his head - then kicks his bunk.
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HERTBIE
What’s wrong Gibbs?
Aren’t we gonna go over the General Orders tonight?
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GIBBS
No. I’m in no mood.
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HERTBIE
But the test’s tomorrow.
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GIBBS
(shouting) No!
Don’t you understand English!
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HERTBIE
Ok.
(sits on his bunk
sniveling)
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CHAUNCIER
Don’t be so rough.
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GIBBS
Shit. Hertbie, don’t
cry. I’m just upset.
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(enter Chola, holding
his head and Krasnar. Huey and Avilia help him).
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KRASNAR
I told Chola to be
careful of that prick - but if I didn’t walk in on them just now,
Gibbs would have lost his cherry!
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(Gibbs tackles
Krasnar and a fight ensues. The others try to pull them apart.
Krasnar takes a few good shots, then creeps away to the corner
- cowering, with Gibbs standing over him in a threatening
pose. His towel has fallen.)
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GIBBS
(shouting at Chola)
That fucking faggot tried to molest me in the shower. Pretty boy
is a worthless piece of shit! Now, I’m not putting up with this.
You can act up among yourselves all you want, but don’t come near
me with that shit again.
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CHOLA
I may be a worthless
piece a shit, but I’m a wonderful piece of ass - and you’ll never
know it. And you wanted it. I’m an expert at this and I know.
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Gibbs grabs Chola
by the shoulder, but Huey intervenes. Chola laughs as Gibbs
goes back to his bunk and gets dressed.
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HERTBIE
Where are you going?
What’s going on?
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GIBBS
Listen, I need to be
alone right now. I can’t take this queer shit. I really need to
get out of here.
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CHAUNCIER
(whimpering)
Jesus, watch over us. I can never understand why we find a need
to dig our own graves, while others are standing watching us do
it. Don’t you all know how much they love to see us tear each
other apart?
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GIBBS
I’m not one of you.
I want all of you to get in gear and get in bed. Lights out in
five minutes.
Exits to talk
a walk.
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KRASNAR
You all saw that! I
should bring him up on charges.
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AVILIA
Cool your jets. You’re
just as much at fault as Gibbs. You’ve been goading him since
he got here.
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HUEY
(to Chola)
Are you all right?
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CHOLA
I’m fine - but Gibbs
is not. And you, fuck-boy (to Krasnar), I don’t need anyone going
bizerko for me and I didn’t need for you to come in on us. You
knew what was going on - you still came in and created this mess,
so don’t bad mouth him or any of us again, you bastard!
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KRASNAR
You ungrateful . .
. .
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CHOLA
Ungrateful! I didn’t
ask you to come in and I didn’t ask you to provoke him! You’re
a cold son-of-a-bitch!
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Krasnar goes to
strike him, but Huey intervenes.
Just go to bed and
jerk-off. That’s all you can muster anyway.
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AVILIA
(sitting next to
Chola as Chola gets dressed)
This is very unsettling.
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CHOLA
Well, in Gibbs there’s
a warm heart - and it’s alive and it’s queer, dear.
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AVILIA
But we all know how
that works - we all know the sanctity of the closet.
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CHOLA
Not me. I’ve never
been in the closet. I’ve been openly beat up, spit on, whipped,
cursed, raped and passed about as fuck-fodder since age five.
But I’d rather that, than be in the closet. So don’t cry for me
anyone. I love who I am and need no sympathy.
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AVILIA
I didn’t mean . . .
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CHOLA
I know you didn’t,
dear. But I tell you, Gibbs is percolating. He was going into
heat over me - so sensual. His eyes were hazing over with passion
and confusion. I was trying to lift that veil of confusion, when
asshole came in and spoiled it. I tell you, I was about to perform
a miracle - a fucking miracle. Just call me Mother Mary Diesel
- this little flower was about to raise the dead. And he is a
wonderful sight to behold. But, I guess, I’ll settle for spaced-out
Huey here. He may have his head and nose in the snuff, but his
dick is worth the risk.
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AVILIA
(gives Chola as
kiss on the cheek) Sweet dreams.
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They all get in
their receptive bunks. Hertbie is trying to study his General
Orders book by the light from the latrine. The lights go out,
but we hear Chauncier’s whimpering. Then, Huey quietly slips
into Chola’s bunk and the two begin foreplay. Hertbie gets
up and moves closer to the light to study. He hears Chola’s
bunk creaking, obviously he’s having sex with Huey. Hertbie
goes over and peers into the bunk and sees them.
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Enter Gibbs from
his walk. Hertbie goes over to him.
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GIBBS
Hertbie, what are you
still doing up?
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HERTBIE
(in a whisper)
Huey’s dicking Chola.
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GIBBS
What? That little bastard.
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HERTBIE
Huey’s dicking . .
.
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GIBBS
Stay here. (exits)
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Krasnar has been
awake, having seen Gibbs leave. Krasnar gets out of bed and
goes to Hertbie.
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KRASNAR
What’s that little
fuck doing?
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HERTBIE
Huey’s dicking Chola.
I just told Gibbs.
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KRASNAR
Shit.
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He goes to the
bunk and shakes it.
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You assholes. Gibbs
has gone to get Gonvea.
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They stir, Huey
leaves the bunk quickly as Gibbs returns with Gonvea, who
flips on the lights and throws 2 trash can lids into the middle
of the room. A loud racket. Everyone jumps out of bed.
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GONVEA
OK, you tweety birds.
What have we here?
He goes over to
Chola and Huey.
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I have heard that you’ve
been open for business tonight and you (to Huey) were the
customer. (to Chola) You’re fucking lucky I didn’t see
this with my own two eyes or you’d both be heading off to a Court
Marshal and then to Leavenworth! Leavenworth!!
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(To Chola) What
do you have to say about that?
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CHOLA
I was just sleeping
like I always do.
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GONVEA
Well at least you’re
smart enough to tell the truth you fucking fairy! (To Huey
- who has had difficulty standing up) And you macho troop.
Not enough pussy in the world, you need assholes to . . .what’s
with you. Look me in the eye! Shit man, what are you on? This
man’s on heavy drugs or something.
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HUEY
Good evening sergeant.
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GONVEA
Gibbs, get Sergeant
Pike and tell him to bring some cuffs.
Exit Gibbs
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(to Huey) You
know to be on drugs in the Army is a fast ticket to hell. And
you thought you were in hell already, but you don’t know hell
yet. But I promise you one thing - where you’re going they’ll
be plenty of assholes to choose from. You’ll see.
Huey is staggering.
Enter Pike and Gibbs.
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Sergeant Pike, this
man is on drugs.
They handcuff Huey
and struggle with him to take him away. He gives them a pretty
tough struggle, but they manage to drag him off. Exit Huey,
Pike and Gonvea.
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KRASNAR
(to Gibbs) You
son of a bitch. Don’t even come on this side of the room.
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GIBBS
I did what I had to
do. I’m the squad leader.
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CHOLA
Squad leader? You did
a terrible thing. You wanted my ass - you couldn’t have it - so
you decided to punish me. Well, you managed to get poor Huey.
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KRASNAR
You wouldn’t ratfink
on Ormond.
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GIBBS
That was different.
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KRASNAR
Yeah, you thought he
was straight - but you can’t stand us homo folk!
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CHAUNCIER
Gibbs, that wasn’t
very nice.
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GIBBS
Avilia - you can see
I did what I had to do.
Avilia is silent.
The entire squad except Hertbie shows signs of shunning Gibbs.
He’s very upset. He exits.
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HERTBIE
Gee, I wish he’d help
me with this test.
(black out)
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Scene 4
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The stoop of the
barracks (outside). Enter Gibbs, very upset. First he paces,
and then he sits crestfallen on the stoop.
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GIBBS
(jumping up)
No. I did the right thing. They shouldn’t be doing such stuff
in the barracks; and I’m in charge. Squad leaders are suppose
to set examples and to make sure rules aren’t violated. Besides,
Huey’s drug problem will probably get some cure now. It wasn’t
getting the proper attention here. I’m sure he’ll wind up in the
hospital with good care.
(sits -sighs -
long pause)
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I feel a strange warmth
and sadness. It’s like there’s music in the air - brash and yet
calming. The change in appearance has touched my soul with fresh
reward and punishment. Once in a lifetime, I am attractive - the
unfortunate waif, encased in fat and sinew, has emerged from it
with some splendor and song. Yet, I am unhinged by it. I have
never been so alone and afraid. They hate me now because they
don’t understand this strangeness - this strange music I hear
in my mind. It calls me to another place like a sweet mystery
unlocked - but I am afraid to follow its sweet tones. I know there
is danger in the water, danger deep in this soul and passion.
He stands and walks
downstage
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The angels know me.
They guard my folly and surround my foolishness. They sing caution
and mount their steeds and sound their bugles to give me the security
I need and want. Oh, heavens forbid that I am the madness that
I think and know I am. Oh sullied past, come not now to haunt
me, despised of men of all kinds for my folly. Frightful past.
(pause)
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I was alone with him
in his house. His mother was away - shopping - and he assured
me know one would know. So we played on the bed, got naked and
played some more. He told me know one would know - but somehow
they found out. And soon there were others wanting to play. In
the rain on the porch beneath a tarpaulin. In the backyard, behind
the garage in the darkness of night - oh the pleasure and the
terror. In the shed, with an air compressor. Soon, mothers told
their sons to avoid me - and I was the playmate of girls only.
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Despised of men of
all kinds for my folly. Last to be chosen for ball - and then
the arguments for a missed catch. Betrayed and followed. Bloody
noses when thrown to the pavement. High school rivalries and a
day at a gay beach. Terror of terror, to think of it all. Hours
locked in my room with a little contraband of frisky magazines
and a swearing to God almighty that I will be better and good.
I am a good boy - not one of those.
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Mother - Father - dearest
Mother. If you only knew what I knew. And if you knew, if you
hadn’t denied it. This is not your fault, but when the other mothers
told you what I had been doing, you must have known or suspected.
And when you went to school and the guidance councilor said "he
writes of death in his essays. We suggest counciling, "you
should have known then that I wrote of death - because I had been
rejected by those I fell in love with. And I loved - like no man
on earth can love.
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(with great passion)
He sat next to me in
homeroom. I adored him at first sight. But he told me of the girls
he fucked - and he never gave me a chance to tell him how much
I loved him. Then, when I declared myself, he told the others
- and that was my darkest hour. I did nothing but weep - and turned
to the angels to help me. Take me. When I am dead and gone, they’ll
love me then. They’ll miss and love me then.
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Seeing one’s own funeral
- the reactions of those who spit on you and called you "queer"
- their tears of farewell, their tributes to your life - this
was better than life itself. To die for this sin would be the
settlement for this minor soul’s transition - for it would be
best for all - and the angels would give me their shoulder for
a long and well-deserved rest in peace.
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So I closed ears to
the music - and if this is what I am - I must find my other self
- the normal one. So I sang and read and studied and worked hard
- and avoided people and went to church and prayed for guidance
- and got drafted into this fucking place.
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Slowly returns
to the stoop and sits
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But now I hear the
music once again. I heard it when I saw Chola’s face and that
smooth, satin body. I am calling to the angels now to preserve
my sanity. I am at the last trumpet sounding for this soul - this
dying soul.
(weeps bitterly)
The demons are winning
this battle. I am falling fast into an abyss and cannot catch
myself. But the music is so sweet, so deathly sweet I fear the
poison is too far-gone in my veins to find an antidote. Who will
catch me? Who will love this lost soul - I am so alone and afraid
- so very much alone and the world is nothing to me - nothing
to me.
Enter Avilia at
the top of the stairs. He watches Gibbs quietly. Gonvea enters.
Avilia quickly exits back into the barracks.
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GONVEA
Hey troop - what are
you doing up?
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GIBBS
(trying to recover
his composure)
Just needed a little
air, Sergeant.
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GONVEA
( sits next to
Gibbs) What’s this? You don’t need no stinking air. This air
is rotten here - nothing but the stink of the coal stoves. You
look upset, but no need to worry.
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GIBBS
What will happen to
Huey?
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GONVEA
Oh, so that’s it. You
did a good job Gibbs. You did right by reporting those two fuckers
- I only wish I’d been faster to see it or that you’d been an
eyewitness. Could have nailed them both.
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GIBBS
But what will happen
to Huey?
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GONVEA
He’ll be court marshaled,
maybe - but I think he’ll probably end up with an Article 15 and
a slap on the hand. But I think he will be discharged - Section
8.
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GIBBS
But how will he get
his job back with a Section 8. Shit, this is all my fault.
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GONVEA
No troop. You followed
the General Orders. You did well. I’m proud of you. You know,
you’ve lost a shit load of fat - you look good - you’re stronger
- you’re passing the PT test - you’ll be back in training real
soon.
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GIBBS
Back in training?
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GONVEA
You still need to get
rifle training - so, you’ll get recycled into a basic training
company.
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GIBBS
Shit.
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GONVEA
But that’s good. Remember
when I told you to repeat after me that you were a worthless piece
of shit, well . . .
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GIBBS
Well what?
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GONVEA
Well you’re not - and
you’re not a fatboy and a faggot either. You’re a grade A specimen
of All-American male-soldier, troop.
Stands
So, get some sleep
- the routine is still he-man tomorrow and you’ll still feel it.
You did good troop, very good.
Exits
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Gibbs looks after
him, then goes to his knees. Avilia reenters at the top of
the stairs.
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GIBBS
"I’m a worthless
piece of shit, Sergeant!"
(pause)
"I’m a worthless
piece of shit!"
(pause)
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(with great emotion)
"I’m a fatboy and a . . . faggot, Sergeant. A fatboy
and a faggot."
Avilia goes to
him and hugs him. Gibbs cries on his shoulder.
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AVILIA
What’s all this?
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GIBBS
They all hate me. They
all hate me for what I did? I hate me for what I did?
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AVILIA
I don’t hate you -
and they understand. Deep down they all understand - they all
know about it.
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GIBBS
I hate what I feel.
I hate it!
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AVILIA
Now cry here on my
shoulder. You shouldn’t hate what you feel. What you feel is real.
What you’ve done is not. It’s a symptom. When we hate what we
feel, we lash out at those who also feel that way. You blame us.
You want us to go away and not remind you. But, guess what, what
you feel is natural.
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GIBBS
How can it be natural?
It’s an abomination.
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AVILIA
Who says? Some old
book that asks the question "What is truth" and cannot
provide that answer? Some minister who condemns you because they
take that book literally only when they want to - and only the
passages to make you a scapegoat for the rest of the flock? All
those friends who beat us and grind us into the ground? What is
friendship, if it includes that? We have enough people gaining
an advantage by putting us at a disadvantage. Why be our own enemy?
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GIBBS
But the feelings are
strong and getting stronger.
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AVILIA
They are true feelings
and correct. There’s nothing wrong with them. You are as normal
as pie. There’s cherry pie and apple pie. You’re cherry - this
army is apple. You’re sweeter than the apple pie and last longer.
You’re more prominent and very special indeed, baked for the special
occasion.
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GIBBS
Oh, I am so confused.
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AVILIA
No you’re not. You
were confused. Now you just need a road map. When God created
you He created someone special. All people are special in His
eye. But, because we are a minority, like all minorities we have
a struggle, a struggle which makes us either strong or dead. There’s
no real in-between. And Gibbs, I for one don’t want you dead.
Gives him a kiss
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GIBBS
(recoiling a little.
Then folding his hands in his lap and sitting upright)
So what should I do?
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AVILIA
Nothing. Love yourself.
That’s what’s happening here. You are learning to love yourself
- so when you say you’re a worthless piece of shit, you’re not
moving forward with this challenge.
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GIBBS
But how do you . .
.
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AVILIA
One day at a time.
There’s no great plan for us here. We wake up and see the sunshine
or the rain and take flight as we need to, as we want to. To survive,
we need to tell the pink lie - or not. To be free, and I wish
I were, I’d tell everyone without fear about who I am. But I can’t.
But the consolation is that I am basically a fine person, nurturing
and caring. I want to serve my country as proudly as I am proud
of her. So, I will continue to tell the pink lie to serve her
well. Those who hear the lie will never really know me. What a
shame - because it’s their loss. They will never know what beauty
could have touched their lives or how I could help them lift their
heavy burdens, the one’s we carry in our soul.
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GIBBS
You are my angel
(kisses him)
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AVILIA
Why sir, I’m blushing.
I’m no angel - just a man who loves life and men. I love women
too, but I can’t be in bed with them. One day at a time, dear.
One day at a time.
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GIBBS
You are indeed my angel.
(kisses him again.
They embrace)
black out
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