Over-the-Counter Encounter by E. C. Patterson

Act II (1995 - 1997): Wholesale

Scene 1.

Provincetown, MA - Summer 1995. Ginger and Leslie’s cottage on a hill. There is a porch overlooking the street and some gardens. Dunes can be seen in the background and the sea. The Pilgrim’s tower is also in the background. The porch has two very conspicious rainbow flags flying.

Ginger is in the garden cutting roses. Leslie is on the porch feeding three cats. Russ is sun-bathing in the nude. Leslie stops and looks off stage. It is late afternnon and the stage glows orange as the sun is getting lower in the sky.

LESLIE

Here they come now.

GINGER

(looks up, shades her eyes) Are you sure?

LESLIE

Positive. I’d know Dean’s swishy walk anywhere.

Russ sits up and stretches to see. He stands. Leslie throws him a towel.

Will you cover that thing up? We don’t need to see it.

RUSS

I don’t need you to see it. The show was for the brawny guy in the apartment across the street.

GINGER

I hope Matt’s ok.

(she picks up the roses, putting them in a basket and joins Leslie on the porch).

Dean and Matt enter. Matt is coughing. They’re obviously tired of walking.

LESLIE

What did they say?

GINGER

You shouldn’t have walked. We should have drove you.

DEAN

Tell that to Mr. Indestructible here.

Matt makes it to a porch chair and sits. Coughs. Then wrings his hands.

I think he’s running a fever.

LESLIE

What did the doctor say?

MATT

Nothing. Says I have a bad cold - a summer cold.

RUSS

Those are the worst. I once had one that lasted 2 full weeks - then it took me the rest of the Summer to shake it.

They all look at him. He shuts up.

GINGER

What a rotten shame. It’ll spoil your vacation.

LESLIE

Well, if you remember last year Dean was sick - stomach virus.

GINGER

That wasn’t last year. That was the year before. . .

DEAN

Three years ago. And Matt caught it as well.

MATT

I’ll be ok. Let me just go an lie down for a while. (to Dean) Baby, you stay here. I don’t want you to get this.

DEAN

Like I won’t get it. I get every little fucking germ you get. When I agreed to love you and share your ass, I guess I agreed to share everything.

MATT

Well, humor me. Just stay here. I’ll take some NyQuil and conk out for a bit.

He goes in, holding his hand up preventing Dean from following.

GINGER

Well, he’ll be ok. These things happen. Maybe we should take our minds off it and play some cards or maybe a movie.

RUSS

T-Dance. Let’s go Dean.

DEAN

Russ, I’m not going to the T-Dance now.

RUSS

But you never miss a T-Dance.

LESLIE

Russell Hay. Don’t you have any morsel of compassion or concern. Your best friend’s hubby is sick and you’re trying to pull him away to a sex auction.

RUSS

What’s you point? Matt would want him to go. Dean only drewls and makes commentary at the T-Dance. He’s too married to do the touching thing.

GINGER

No, I think cards will be a calmer sport. It’s a cool afternoon. We could enjoy the sea-breeze - and drink lemon-squashes.

LESLIE

Maybe a movie. Jodie Foster is in that new movie . . .the Carl Sagen one.

RUSS

No way. I’m not sitting in a small movie theatre filled wall to wall with Lesbians all panting after Jodie Foster. "It just ain’t fittin’ It ain’t fittin’ Hm! Hm! Hm!"

GINGER

Well Butterfly McQueen, now you know how we feel when you divas swoon over Cruise or Broderick.

LESLIE

Maybe cards would be better. And I’ll whip up some of my famous fried eggs . . .

RUSS

In lard - hell you will. Just the smell of those things make me wanna hurl, girl! C’mon, Dean come to the T-Dance.

DEAN

You go. Give me a report on Green-shorts guy. You know the one.

RUSS

There is no other. Aw, I’ll be lonely.

DEAN

You’ll get over it. I just want to sit here and rest. That walk down to the infirmary was tiring. I didn’t think Matt was going to make it. He stopped in front of the Barbie Doll house and wretched his guts out. I thought Ken was in immiment danger. We sat for a time on the curb.

GINGER

What did the doctor do?

RUSS

Well, I’m out of here.

DEAN

Go, already. Go, and have a good time. I’m sure Matt will be ok in a day or so.

Russ slips his bathing suit on and a tight tank-top then struts away down the hill.

GINGER

So .. .

DEAN

So what?

LESLIE

What did the doctor do, really?

DEAN

What do you mean "really"? He said it was a bad summer cold. He didn’t prescribe anything. Told him to drink plenty of liquids and get to bed.

GINGER

I knew we should have driven you guys down there. Well, dear, take this rose.

(Hands rose to Dean)

DEAN

What for?

GINGER

I don’t know. Because it’s a beautiful thing and that’s why we live here in Provincetown — for the beauty of it. Whenever Les here feels down or tired I always go to the garden and get her a rose.

LESLIE

She does, believe me, she does. It doesn’t matter that they make me sneeze like hell or that they have thorns or there’s sometimes a creepy-crawlers in them - she plunks one down in my lap anyway.

DEAN

(looking at the rose) Well, it’s beautiful Ginger - and since its what you do for the one you love most, I take it as a real kindness. And you know, I will give it Matt. I’ll put it by his bedside so he sees it when he awakes.

Gets up and looks out towards the sea.

It is so restful here. That sun penetrates me like a warm hug. Oh. How many summers have we spent our vacations here with you. And, although we love the dancing and dining and men - men - men - it’s here on your proch that I love best.

You know, the first summer we came. I shouldn’t really tell you.

GINGER

Tell Mama.

LESLIE

Yes, it’ll be better than cards.

MATT

Well, when you all went to bed on the first . . .or was it the second . . yes, the second night, Matt and I crept quietly out here on the porch - right on this very spot and did it. I remember the warm evening breeze and cricket sounds. Then there was this wonderful cocoanut aroma - his aroma - my Matt. That soap was the most wonderful perfume imaginable. We held each other for an eternity. Only the rustle of your cats brought us back to land fall.

LESLIE

Yes, we know.

GINGER

We had a good view of you guys from the porch that night.

LESLIE

I said to Ginger, our Dean has found a man of his own - a good man - a strong man. One that will give him what we have given each other.

Ginger kisses her.

DEAN

Yes, it is so right - so very right with us. It has been and it shall always be. Oh, we have our moments. We’ve had some whopping arguments -

LESLIE

And good make up sex.

DEAN

Great make up sex. Sometimes he’s such an asshole - so stubborn. He forced himself to walk up the hill. I told him to wait and I’d go get the car. But, no. He held on to me and made it hard for both of us rather than to admit he’s sick and needs a few days rest. And all he could do is apologize for ruining my time. But you know, as long as he’s with me, I am right - so very right. It has been and it shall always be.

(there’s coughing from inside the house)

GINGER

I’ll take a look - make sure he’s got everything he needs.

Ginger enter the house

LESLIE

I can’t believe that asshole Russ. How long have you known him?

DEAN

My sister - since I don’t know. There’s always been a Russ. He’ll never change. He’s into only one thing, Russ. But Russ is Russ. If you know that and realized that he’s not going to change, then you just let him do what he wants.

LESLIE

Well, he’s damn irresponsible.

Ginger returns.

GINGER

I think maybe, Dean honey, we ought to take Matt home.

DEAN

Home? Why?

GINGER

Well, I’m not a nurse or anything - but, his sheets are completely drenched with sweat. I mean wringing wet.

DEAN

Shit!

(he enters the house quickly)

LESLIE

If he’s real sick, he shouldn’t travel.

GINGER

He looks real, real sick. He’s gasping for air.

DEAN

(entering) Shit! What do I do? Who do we call?

LESLIE

(to Ginger) How much room do we have on the card?

GINGER

Enough, I’ll take care of it.

Enters the House

DEAN

What?

LESLIE

We’ll fly him out to Logan. It’s the fastest way.

DEAN

But . . .

LESLIE

No buts.

Dean sits with his hands in his face. Leslie puts her hand on his shoulder.

GINGER

(from inside the house, on the phone) Cape Cod Air? Yes, when’s your next flight out to Logan? Yes . . . Yes . . . Yes . .

Matt coughs violently. Dean looks up. Leslie turns away.

Black out

Scene 2.

In New Jersey. Hospital waiting room. There’s a nurses station center stage. To the right are doors to the hospital rooms. There’s a waiting area. Dean is pacing around that area - then sits frantically and nervously taps his foot. Nurse Vicky Lynn is behind the station.

HOSPITAL PAGE

Paging Doctor Kane. Doctor Kane you’re needed in Q area. Doctor Kane, you’re needed in the Q area.

Dean gets up and approaches the Nurse.

NURSE

I told you sir, only immediate family can see Mr. Kieler.

DEAN

But I am his partner. I’ve told you, we live together.

NURSE

I’m sorry, the rules are the rules. Family only.

DEAN

But can’t you even tell me his condition.

NURSE

I told you he’s critical. But you can only discuss it further with his doctor - and since you’re not family, the doctor can’t tell you anything.

DEAN

But you don’t understand.

He begins to cry.

NURSE

I’m sorry. I wish I could help.

DEAN

Uncaring Bitch.

NURSE

Sir, if you become abusive, I’ll have you removed from the premise.

DEAN

No, no. I’m sorry. You must know that Mr. Keiler is my . . . well, we are . . .

NURSE

(giving an unapproving look) Sir, that’s no concern of mine. If you are not a family member, you must wait until the family . . .

Enter Mr. & Mrs. Keiler and Matt’s sister Mary. Dean see them.

MRS. KEILER

Dean. Dean (she embraces him) How is he? We came as soon as we heard.

DEAN

(crying) I don’t know. They won’t tell me anything. I’m not his family and they won’t let me see him. They don’t understand.

MR. KEILER

What do you mean you’re not his family?

MARY

(to the Nurse) You should be ashamed of yourself. This is his family.

NURSE

And who are you?

MARY

I’m the patient’s sister.

NURSE

I’ll page the doctor at once.

MRS. KEILER

(to the nurse) I’m his mother - and this is my son-in-law, his life-partner. How dare you! How dare you!!

NURSE

I’m doing my job. (pages the doctor) Paging Doctor Kane. Doctor Kane you’re needed in the waiting room.

(to Mrs. Keiler) The doctor will see you in a minute. As for this young man, whatever their relationship is, he cannot see the patient unless he is family as defined by law.

MRS. KEILER

Look at him, you cunt!

MR. KEILER

Freida! Not so loud.

MRS. KEILER

This is a place for caring and healing. What right have you to judge him and bring him pain. He is closer to my son and more important to me than I am sure you are to anyone so unfortunate to call you a relative. Now, take us to my son!

Enter Doctor Kane

NURSE

Mrs. Keiler, please calm down. Doctor!

DOCTOR

What’s the problem.

NURSE

I was explaining Hospital policy about family only . . .

DOCTOR

Please Nurse Lynn - let me handle this. Mr. & Mrs. Keiler, come sit down.

They all go to the sitting area.

Your son is resting, but we had to put him on oxygen.

DEAN

Oxygen?

DOCTOR

He has pneumonia - pneumosistis carinii.

MRS. KEILER

I knew that - I was hoping it wasn’t that. It’s just like Danny.

DOCTOR

Then, you realize that he is in a great deal of danger with this episode.

DEAN

AIDS?

DOCTOR

A complication related to the HIV infection. Are you his significant other? You need to be tested immediately.

Mrs. Keiler is crying, comforted by her husband and daughter.

DEAN

Just like Danny? But Danny died in a bashing.

MARY

He did, but he had AIDS and had quite a few episodes. Poor Matt went through hell.

DEAN

Danny had AIDS. I don’t believe this.

MRS. KEILER

May we see him now?

DOCTOR

Yes, come now.

MRS. KEILER

Can Dean come - his ---

DOCTOR

Why of course. Come now. All of you.

They all gather around the doctor and go to the entrance door, except Dean who is dazed.

MARY

Dean! Dean, are you coming?

Dean rises slowly and walks nearly catatonic to Mary, who puts her arm around him. Exit. The nurse shakes her head.

Black out

Scene 3.

Matt’s Hospital Room. He is in on oxygen. Mr. & Mrs. Keiler stand by his bedside. Mary and Dean sit off to the side. The Doctor is there when the scene begins, but leaves them all alone.

MRS. KEILER

My baby. You look so helpless.

MATT

(removing the mask) Mom. Dad.

(pause)

Dean?

DEAN

(staying to the side) I’m here.

MARY

(getting up) We’re all here.

MATT

It’s not so bad. I actually feel better. But in P’Town I thought I was going to die.

MRS. KEILER

Has the doctor talked to you? Has he said anything about your condition?

MATT

I know. But . . but . . if I lick this, it’ll be ok. It will be ok.

(coughs)

MR. KEILER

You better put that thing back on.

Helps him put the mask on.

MRS. KEILER

Listen baby, you should rest. We’ll be outside. Dean will stay with you. You need to be alone with him anywhay. We’ll be here.

They slowly leave, with Matt waving to them. Dean remains on the side for some time. Finally he come to the side of the bed. Matt removes the mask.

MATT

Sorry I ruined the vacation. These things happen.

DEAN

(running his hands through Matt’s hair) Don’t give it another thought baby. Just get better and we’ll figure this out.

MATT

It’ll be ok. I’ll be on my feet in no time and back to work.

DEAN

Just take one thing at a time, you know it all bastard. You just won’t lie still for no one.

MATT

I don’t know what I’d do without you, baby.

DEAN

I bet you would.

MATT

(coughs) I’d better put this crap back on. (puts the mask on)

DEAN

Rest now. I’ll be here.

Matt nods then begins to dose. Dean goes to a nearby chair and stares at the floor.

(quietly) Shit. Shit, shit, shit shit, shit, shit! Just like Danny. I am so mad at you, asshole. You’ve never lied to me. We’ve always been honest, even with that guy in the Cave you fucked three years ago. You we brutally honest then - and I overlooked it, because we’re men and men do these things. I do these things. But to not tell me Danny had AIDS and was symtomatic - how could you. You asshole.

(gets more excited)

I should leave you right now. Why should I care, if you didn’t? I probably have it too. And I hope I do - ‘cause we share everything, and if I can’t share this monster with you . . .

Oh, what am I saying. Where’s the light going? Where’s the peace I know and the love I have come to count on. It’s been a lie! Tell me it hasn’t. You bastard, I love you so. How could you do this to me. How!

(clenching his fists, he goes over the bed about to let loose. Then puts his fists to his own head and turns away, crying)

Lover, sweet lover. I asked God for you and he delivered. But is such a prayer meant to test the soul. I am not ready for this. I am not ready for this test. God, take me now so I don’t have to face this. I want to just run and hide. I want to just leave him here and never see him again.

(goes to his knees with his face on Matt’s chest)

MATT

(waking - removes the mask) Baby, my baby.

DEAN

(weeping uncontrolled) Take me with you.

MATT

I’m going nowhere.

DEAN

Then I’ll stay - I’ll stay.

MATT

I’ll be better.

DEAN

You better be better fucker. If you want to deserve me, you’d better be better.

(they kiss)

Black out

Scene 4.

Matt and Dean’s Apartment - Six Months later. The place is bightly lit. There’s a couch and two chairs. A counter is set with finger food. As the lights come up. The doorbell rings. Matt and Dean enter. Matt is weak and needs help to the couch. Matt gets seated, while Dean answers the door.

Enter Ginger, Leslie, Russ, Mary Kieler, quite noisily and in a party spirit.

DEAN

Come on it.

MATT

(from the couch) Hi, guys. Glad y’all could come.

GINGER

Hi sweetie. (goes and kisses Matt.)

There’s a general round of kisses and hugs.

MATT

Hi sis. (kisses Mary)

MARY

How’s my boy today?

DEAN

We have a good day today, don’t we?

MATT

It’s not crappy. And now that you’re all here. We did so need a party - a little get together. We don’t get out to the club - and we’ve missed so many things.

MARY

Mom and Dad send their love and want to know when you’re coming over to visit.

MATT

I saw them last week. They stopped over. But you know, after a full days a work, I just want to come home here and sleep.

MARY

They understand.

DEAN

Drinks! Eats! Help yourselves.

LESLIE

(to Ginger) Mix me something. Surprise me.

RUSS

(who has been uncustomarily subdued) Do you have beer?

DEAN

Since when do you drink beer? Of course we do. In the frig. Help yourself. I do enough waitressing about here.

MATT

Sorry dear.

DEAN

(kissing him) No apologies today, sweetheart. Let’s just enjoy our friends.

MATT

While I can still see them.

DEAN

Shhh. Enough.

GINGER

Did I tell you, I saw Miss Kitty at the Cave? She was in her full regalia. Tin cup tits and all.

LESLIE

What a hoot.

DEAN

Did she do her Carol Channing.

LESLIE

(imitating Carol Chaning) And did she! Well, Dolly’s back in town! (switching to Middler) And then she went into a Devine Miss M - bitchin’ truly bitchin’

DEAN

I loved Beaches.

GINGER

The critics hated it. Then why does everyone I meet say they loved it? I don’t understand this at all.

LESLIE

It’s jealousy, you know.

MARY

I couldn’t watch it. I found it so sad - and why do we need to talk about that picture anyway?

LESLIE

Why not?

DEAN

Why indeed.

MATT

No, go ahead. I saw it. It was great. Loved the Titslinger scene - and that kid who played Bette the younger. She like caght every nuance of the older Miss M. She almost stole the show.

GINGER

No. She didn’t. No one could have stole the show from Bette.

LESLIE

Not even droopy Barbara Hershey, with the disease of the month.

MATT

That’s a good one - the disease of the month.

RUSS

Please. Can’t we change the subject?

DEAN

Why Russell, you’ve been so quiet.

GINGER

I think Miss Gym-bunny’s been dumped by his most recent lance thrower.

LESLIE

Trick, you mean.

RUSS

No, I haven’t been seeing anyone. I just think it depressing to talk about such a weepy movie at a party. Why don’t we talk about Boys in the Band or something.

DEAN

Well there’s an upbeat movie for you. Why not Torch Song Trilogy or As Is, while we’re at it.

(pause)

MATT

Get some food, all of you. And baby, I think I could manage a little of your potato salad.

DEAN

Oh, I’ve got beans in the oven.

(pops up and gets the beans)

MATT

Just what I need with my AZT, little exploding pop-tarts covered in molasses and bacon.

DEAN

They’re for the company, sweetheart. You stick to the potato salad.

MARY

(to Matt) Well dear, are things getting better at work?

DEAN

Mary, let’s not go there.

MARY

Why not. At least he can get into work.

MATT

(touches her hand) Well, sis - I am officially on "disability".

MARY

Oh, sorry.

GINGER

Sorry to hear it.

LESLIE

Shit - you were doing so well.

DEAN

No apologies today. Please, no apologies today.

MATT

Dean’s right. It’s nothing to be sorry for. I’ve missed so much time - you know the bad days have been real bad.

GINGER

But the good days.

MATT

Well, they have been good. And the people at work are supportive. Hank Green even agred to let me do work from the house.

DEAN

(with the potato salad) Here you go. People, eat.

They filter over for food.

Hank’s been real good. Not many bosses will even give a gay man the time of day let alone a day off to lay dying in a hospital. But he did send work around on those days; and we sure could use it.

MARY

How’s your job, Dean?

DEAN

Retail ain’t what it used to be, eh Russ?

RUSS

Let’s not talk work.

DEAN

Ignore him folks. I have seniority at the counter, but I have missed so many days. And I can’t come out at work. They’re still a pretty homophobic lot. I’m on my last sick day and personal day off.

GINGER

Well you guys know, if . . .

DEAN

Have some potato salad - and the Strata is my mom’s recipe.

LESLIE

(into the Strata Salad) Are these whole peas?

DEAN

Yep. And Muenster cheese.

GINGER

A regular Matha Stewart.

DEAN

Martha who?

LESLIE

You haven’t seen her.

MARY

Is that the woman that goes into her garden to pick the lettuce and makes her own pots and pans before you can cook.

MATT

What a hoot.

LESLIE

She’s a fad. Won’t last the season.

DEAN

Anyway, if you guys want the recipe, I’ll print it out.

MATT

Baby.

DEAN

Yes, you need more. You can’t really have strata - you’d never digest it.

MATT

I hate to say it, but you’ve changed the subject. These are our closest friends - and they deserve to know.

MARY

Know what?

MATT

Sit down everyone.

DEAN

Are we going to poop this party? Matt you promised.

MATT

I’ve made many promises in life - and I have actually kept some. But they should know why I am going on disability.

RUSS

Isn’t it obvious?

MATT

No, smart-ass - this plague hasn’t put me down yet. But now I’ve developed something that’s going to make it tougher. Retinitus.

GINGER

Shit.

MARY

What’s that?

LESLIE

The disease is degenerating his sight.

MARY

(in shock) You’re . . .

MATT

Going blind. Not yet, but there’s nothing to stop it. It’s bad enough that the meds keep me puking and shitting - now I won’t even be able to see my way to the bathroom. Glamourous eh.

DEAN

Well Matt. You managed to poop this party.

MATT

Not really. I love your potato salad dear, but it’s pooped me.

Get up and starts to leave.

DEAN

Do you need help?

MATT

Not yet. I’ll call you if I shit on the wall.

Exits

There’s a long, pregnant silence. Dean sits on the couch, the bowl of potato salad between his legs. He unconciously starts eating it with the serving spoon.

GINGER

Maybe we ought to leave.

DEAN

Leave? No, it’s a party — our last party. He wanted to see you all together before he couldn’t see you at all.

(starts to fill up)

Leave? No, never leave. You know, I was going to leave. Yes, I was going to leave. I’m young and vibrant - and he got this thing from his previous lover and never told me. I felt betrayed and stunned. But I couldn’t leave. He needs me. He says he down’t, but he does.

He needs me to feed him and wipe up aftrer him. He needs me to hold his hand when he sits by the window and cries his heart out. He won’t cry for anyone else, but he will for me. And he needs to cry. Who else would remember his medication schedule. He’d never take the crap if it weren’t for me. And who drives him to the park, so he doesn’t grow old and mouldy in here. And in the dark recesses of the sleepless night, I message his feet to ease the pain so he can get some sleep. They are gorgeous feet, and I lock my fingers between his toes and rub them like a child’s. You know, if I didn’t do that, he’d never sleep. He needs me. And I can only hold on because I also need him - but I also need you. Leave me? If you leave me, you leave us.

They all comfort him, except Russ, who is even more depressed. Matt reenters.

DEAN

How are you? Are you ok?

MATT

Yep. But I’m tired.

GINGER

Dean, maybe we should leave.

DEAN

Perhaps it’s best. Matt you should lie down.

MATT

Yes, baby you’re right. But I’d like to look at y’all once more, while I can.

(goes to Ginger and touches her face)

Ginger snap! Such a broad face. You know I can’t go to the beach next summer. Even if I’m still here, all your cats would give me the shits and kill me. Think of that. Killed by pussies. There, there - Lesbians don’t cry.

GINGER

Shit they don’t.

MATT

(to Leslie - touching her face) Les the Lez. You know, if they ever write a book about those who love, you’d be the centerspread picture. The world could learn a lot about the meaning of the word from you. Let me feel your face. Aha. I feel it. I feel the warmth of the golden Privincetown sun, it’s beaches and gulls. I see in your eyes the gentle breeze and the kites entwining at dawn. And yes, all those Lesbians packed into the movie house to lactate over Jodie Foster. I love you - which is something I’ve never said to a women before.

LESLIE

When it comes to love Matt, you’re no slouch yourself.

MATT

(to Mary) Well when I said I’ve never said I love you to another woman, I guess I lied, sis. Sweet baby sister. (touches her face) Don’t cry. I’ll be here for a long time yet. It’s my eyes that are dying. I’ll be in the darknes. That’s why I want to fill my mind with the sunlight of your smile. When I touch your face, I touch my own.

(he hugs her. She is speechless and goes over the Dean for comfort. Matt turns to Russ. Russ shies away.)

Come sir, Russ. Let my fingers take in your portrait; although, this is not the picture I have of you in my mind.

RUSS

Better to keep that picture than this one.

MATT

(touches his face) Oh. Oh no. I see. I feel it comrade. I feel it. You and I will have a plenty of time for ourselves in anothre place. I feel it comrade as you join our legions.

Russ turns away. Matt is upset and sits beside Dean. He then turns to Dean and touches his face.

DEAN

What do you feel and see?

MATT

Please, baby. We have company; and what I feel now about you is not for their ears. But I will tell you that when the light is gone from these eyes, it will be replaced with a different light - the rarest light of all.

Black out

Scene 5.

The same as the last scene of Act 2 - six months later. 1997. The only difference is the place is a shambles. There’s piles of dishes on the sink and on the counter. There’s papers all over. The draps are falling from the window. There’s clothes strewn throughout. Dean is asleep on the couch. The place is dark and dim. The sunlight shines in on the decay. He’s in old pajamas and is unshaven. The door bell rings. He doesn’t answer it. It rings again. He sits up.

DEAN

Just a minute.

He turns on the light, then opens the door. It’s Mrs. Keiler.

Mrs. Keiler. I didn’t expect you.

She enters and is obviously horrified at the condition of the place.

MRS. KEILER

I was in the . . . Dean. This place is . . .

DEAN

I’ve got to clean today. I really do.

MRS. KEILER

But he’ll catch anything that’s lurking in here.

She takes off her coat and begins to pick things up.

DEAN

No really, I’ll do it. I’ll do it.

MRS. KEILER

I’ll help you. Why is it like this?

DEAN

I’ve been working nights.

MRS. KEILER

Nights?

DEAN

At Chasson’s Warehouse.

MRS. KEILER

In addition to the store?

DEAN

Well, I lost that.

MRS. KEILER

Really? Why didn’t you tell us? You know we’d help? Does your mother know?

DEAN

Well, yes - but there’s little she can do.

MRS. KEILER

Yes, but we can do this. He is our son, you know? Is he up?

DEAN

No. He’s finally asleep. We had a rough night.

MRS. KEILER

Well, I don’t mean to be bossy.

DEAN

No, I understand. But money’s tight. We get meds and some meals from the Hyacinth Foundation. They’ve been a big help. I have a Buddy come in to help me - but he’s on vacation. He usually helps me straighten the place up. But with the night work and coming in to Matt’s night pains, and getting to caregiver meetings and picking up odd jbs at the Nursery and . . .

(he sits. Mrs. Keiler sits beside him)

MRS. KEILER

I have never known a man so brave in my life as you are. I know that this isn’t the only time people are faced with caring for a loved one. God knows, I watched and cared for my own mother as she died of lung cancer - but, to watch men in their twenties and thirties waste away - and to loose a son (she fills up).

DEAN

Mom, are you all right?

MRS. KEILRE

Mom. You called me Mom. You usually call me Mrs. Keiler. I’ve waited a long time to hear you call me Mom.

(they embrace)

DEAN

We’ll have courage for two. Maybe you should come to the Hyacinth support meetings.

MRS. KEILER

I don’t know. I think I’ll find them depressing.

DEAN

They’re informative - and we all support each other. But you’re right, they are depressing at times. The other night, this guy - Fred - sat quietly throughout the meeting. We all talked about our partners and buddies and were as instructive and as positive as we could be. Then he raised his hand and stood quietly. Fred was from New Jersey - but lived the last twelve years in San Francisco. He told us of his lover and friends. He told a tale of heartbreak and dying - of farewells and healing. He worked on the coast with AIDS Services - he was a buddy, delivered meals, sewed panels for the quilt, marched in protests, walked in silent vigils - but in the end he felt he’d journeyed to no where. "I woke up one morning," he said. "And they were all gone. All my friends were gone - dead. All those young and beautiful angels. There wasn’t a single one left. I didn’t know what to do. So I came home here. I came home to die - because there would be no one there to keep a vigil over me. I came home to the arms of my family."

Mrs. Keiler cries.

MRS. KEILER

It’s not right that those who are die close to you are your own age or younger when you’re but a mite of a sweet boy.

DEAN

And poor Russell.

MRS. KEILER

Russell. He went so fast, honey. I could not believe it.

DEAN

He was so flighty and full of life. He was like a butterfly feeding on life - flower to flower. Little did we know that too much life would be death.

MRS. KEILER

At least he had you at the end.

DEAN

Well, his death was his final gift to me. He was so close to me - yet, it gave me the trial run for . . .

MRS. KEILER

Well, this place needs to be . . .

DEAN

I know. You should go see him now.

Mrs. Keiler goes slowly into the next room.

Be prepared to see the face of death. He is an old man, worn and wizzen - blind and wasting away. And I have grown old in the passage. This is the vigil I keep. Here in the abasement of our existance - our hopes and dreams. Here in the battlements of this frail body, keeps the spirit of who we were and are. That is the vigil I keep.

Mrs. Keiler reenters. She is upset and wiping away her tears.

That is the vigil I kept and keep.

Black out

Scene 6.

Matt’s bedroom. It has a hospital bed in it, dim light and empty medicine bottles. He is not in bed as the scene begins. Dean guides him on stage from the bathroom, holding his hips and guiding his every step. Matt is a walking skeleton.

DEAN

Careful, baby. Take each step carefully. I don’t want you to fall again.

MATT

Bruises, bruises. I’m all brusies now. Do you think another will matter?

DEAN

That’s not the point. I can’t pick you up again. Last time you blacked out and I couldn’t believe how heavy you were.

MATT

Getting lighter.

DEAN

Dead weight.

MATT

Literally. Are we near?

DEAN

(at the edge of the bed) Here. Arrived. At the station. Sit carefully. Now let me get your legs. Do you want to be propped up or lie flat?

MATT

Prop me up. Did I hear someone come in?

DEAN

No one came in. Here, take your meds.

MATT

Don’t want that shit anymore. What’s the point! How much longer do you need to suffer with me? We could solve this all right now you know.

DEAN

I don’t want to talk abou that again. I’m not Dr. Kevorkian - and you’re going to live way past Christmas.

MATT

Are we going to my Mom’s for Thanksgiving?

DEAN

We’ll see.

MATT

No, no. I love Mom’s on Turkey day. It’s so wonderful there. You know I love it. And you love it too. And they’ll love to have us.

DEAN

That’s not the point, Matt. How will I . . . How can you . . .

MATT

Shove me in a fucking wheelbarrow and push me there. I mean, there’s not much left of me that bones in a wheelbarrow couldn’t accommodate. Promise me lover that we’ll go.

DEAN

We’ll see.

MATT

That’s not a promise. That’s a "no" - especially when you say it that way.

DEAN

Wouldn’t it be better if they all came here and spent it with us? Afterall, it’s the people that count.

MATT

(cries) I’m not going to make it to Thanksgiving am I? I’ll never see anyone again. No eyes. No energy. No dreams when I sleep. I am a mess beyond all belief. I feel bad for my parents when they get old like me and suffer like me. If I’m not going to make it to Thanksgiving, I want to die today, lover. I want you to go out and buy the biggest load of medical shit possible and shove it down my throat so I can end this nightmare. I still have 28 years to retirement - and now I’m not going to have another Thanksgiving or feel another snowfall or get fucked again. Let me go lover.

DEAN

(crying and hugging him) You’ll live today. You’ll get to thanksgiving. You’ll feel another snowfall. I promise. I’ll carry you myself over the threshold of your Mom’s place, like newly-weds, before the eyes of God. I promise you.

MATT

I knew you would. I knew you would. I’m so tired.

Dean unprops him and lies him flat. He strokes his hair and kisses his forehead as Matt nods off to sleep.

Dean moves away from the bed and falls on his knees in prayer.

Black out

Scene 7.

Thanksgiving Day 1997 at the Keiler’s House. We are in the living room. There’s a big picture window at the back. There’s a couch center stage and living room furniture set about. To one side we can see the dining room set for Thanksgiving dinner.

Matt is on the couch, staring blindly into space. He’s thin and wasted away. Dean enters with Mr. & Mrs. Keiler, Leslie and Ginger and Mary Keiler. They all go off into the dining room except Dean who walks over to the couch.

MATT

(weakly) Is that you baby?

DEAN

Yep. Who else would sneak up on a blind man and kiss him.

(he leans over and kisses him)

MATT

Well, it’s nice to be home for Thanksgiving. All that food. I once could eat a horse, if it was unsaddled and served with Bar-Be-Que. Where’s the appetite now. I think our sense of smell is hungrier than our sense of reason. I don’t have the appetite now, but that turkey and stuffing is driving me crazy. Oh the aroma. You’ve brought to heaven, sweet boy.

DEAN

I did the stuffing.

MATT

I’ll dream of the taste. Sausage and cornmeal and onions and seasonings. Brown and soft to the palette. Oh how many Thanksgiving’s I’ve said, "pass the stuffing", clumped it out and bolted it down like dog on a bone. Now I’d kill for the appetite to have just one savory taste.

Dean sits next to him on the couch and adjusts the pillows.

DEAN

Is that better?

MATT

As long as you’re near, it’s better. I love the aroma of Ivory Soap.

He kisses Dean’s hand and sniffs it lovingly.

DEAN

And I still love that cocoanut shit you use.

MATT

Baby, I’m so glad my parents love you. You’ll be a comfort to them when . . .

DEAN

. . . your Mom’s an angel and a helluva cook.

MATT

Did she make the whole-berry cranberry sauce?

DEAN

Yep. It’s amazing.

MATT

She let you lick the spoon?

DEAN

Yep.

MATT

I loved to lick the spoon. I can taste it. Mmmm.

DEAN

Well we’ll see just how much you can have.

MATT

It’s a curse to embrace the smells of life and not have the stomach for it. But then again, there’s no divide when it comes to us.

Dean kisses him, then strokes his hair. Matt pulls on Dean’s tie. Dean is wearing the ugly purple tie

You’re wearing a tie? It won’t take a blind man to guess which one. How can anyone look at that thing and eat dinner.

DEAN

It’s from a special friend - my little over-the-counter encounter.

MATT

I should have had it gift-wrapped. You know they offer free gift-wrap.

DEAN

I know. But the cheap bastard who bought it didn’t even remove the price.

MATT

You could have any tie you wanted that night. Givenchy, Yves St Laurant. Any one.

DEAN

Yeah, I know. But I was jealous of the bastard you bought it for. I suggested the ugliest one I could find.

MATT

Jealous of yourself.

DEAN

I’m not jealous of myself anymore. No one should envy me when . . .

MATT

We’ve had a good run of it, Dean. We have had the best of all things and that we didn’t wind up on a porch, on old rocking chairs, balancing our gay check-books is just the price. So we didn’t have the good old Pink American dream; we had much better than most.

DEAN

We did - and still do.

MATT

(yawns) Sorry about that. I feel so drowsey and . . .

DEAN

Here let me prop you up.

Enter Mary. She’s carrying abowl of dip.

MARY

Dean, some dip?

DEAN

No thanks.

MARY

How is he? Sleeping?

MATT

Sis, is that you?

MARY

I’d offer you some dip but . . .

MATT

No come here baby sister.

She does and he reaches out for some dip. Dean guides his hand. He sticks his hands in the bowl and puts some dip on his finger.

Onion, I hope. Not veggie or crab shit. (sniffs) Onion. My favorite.

Matt licks his fingers and mutters a sound of great satisfaction.

Maybe I’ll be able to have some of that stuffing yet?

MARY

(suddenly) Shit. Look, it’s snowing.

Through the picture window we see the snow.

MATT

No shit. It’s too early for snow.

Enter the rest of the company. They gather around the couch.

DEAN

It’s snowing, Matt. It’s snowing.

MATT

How can it be? You’re making it up to cheer me.

MRS. KEILER

No, Matt - it’s true. It wasn’t even in the forecast.

MATT

Really. Oh how I wish.

DEAN

It’s snowing Matt.

(pause)

It’s snowing, Matt and just for you. I prayed to God and he’s granted me this one small blessing. I prayed to God. I prayed.

Mrs. Keiler signals for the others to withdraw.

MATT

Oh baby, I love you. Snowing. It’s snowing. I can’t see it. I can’t see it. I want to see it.

DEAN

Of how I wish you could. I’ll tell you there’s the big flakes, just the kind you like. And they’re sticking on Mrs. Bolkonsky’s roof, and on Ginger and Leslie’s car.

MATT

Did they bring the BMW or the Mercedes?

DEAN

The Mercedes. I think it will pack nicely - and maybe I’ll make some snow angels.

(pause)

It’s really the most beautiful snowfall I have ever seen.

MATT

Baby. I can see the most beautiful snowfall I have ever seen. You know I can. I looked back at my place. There were the big flakes, sticking to whole world. It waw like in the movies; and I saw you. You, naked in the doorway, and I said, I will live the rest of my life with that man. That man will be my snow angel.

(weeping, Dean holds Matt in his arms)

MATT

I remember, you wouldn’t come out in it. You just stood by the door; and I was so happy. So very, very happy. And I decided to give you a little serenade.

(singing very weakly)

"I wish I were in the land of cotton,

Old times there are not forgotten,

Look away, look away . . .

Look away, look . . . away"

Matt leaves us.

Dean rocks him back and forth, then noticing that Matt is gone holds him tighter and weeps unrelentingly.

Dean:

No! Matt! Baby! Matt, don’t leave me! My love. My sweet little flower! Matt! Matt!

Mrs. Keiler enters. She has a basting spoon in her hand. Mr. Keiler catches her as she falls into his arms. Ginger, Leslie and Mary hold onto one another.

Black out

Scene 8.

Washington DC - several months later. It is the Names Project Quilt’s National display. We are in front of the Washington Monument. It is a bright summer day. On the stage are quilt panels. In the background the quilt spreads out as far as the eye can see. There are people walking the quilt.

VOICE OF MRS. KEILER (FROM an OFFSTAGE PODIUM)

(miked) "Raymond Adams, James Wise, Kevin Marsters, Buddy Havran, Rob Frobier, Sgt Andy Andersen, Riccardo Sanchez, Rob Hackett, CD Smith, Steven Coates, Nicolas Allesandro, Russell Hay and my son, Matthew Keiler.

(pause)

When my husband and I were asked today to read a protion of the names, we were hesitant. So many names, so many fallen - more fallen than all the wars we have fought. And yet, our government ignores this devastation, because they do not value the lives of our children. They think that because our children live their lives as they are, and because the higher ups do not approve of our children’s life-ways, their natural, normal life-ways, it gives Washington a right to watch them die and not even shed a tear or even to bring themselves to say the word AIDS. They be embarassed by this crop of death because these angels like the angels are different from the Kings who rule this land. But I am embarassed by that rule - their shame in letting this happen. Our fingers are sore from sewing their names on quilts.

I loved my son and love him still. I am proud he lived his life as the man he was, living with another man, the love of his life. Their love was good - still is good. And because the dragons in the palaces of alabaster, who would not know the subject of love - or who have forgotten that this country was founded on the principles of freedom and good spirits, our children die and posterity is suppose to forget them. So, I am proud of my gay son - my brave, courageous son, who told me who he was and let me share in that great gift. Mothers do not shun your sons or deny that great gift. You never know how long you have to revel in it. I will revel in the great joy of his life for as long as I breathe. Thank you."

Dean enters and walks center stage. Matt’s panel is there. Leslie, Mary and Ginger follow him. They stand over the quilt in reverence.

DEAN

It came out good.

GINGER

Very good.

LESLIE

Very novel. I loved the way you spelled his name out in his old ties.

GINGER

Except for that last tie there. I’ve seen that one before.

MARY

It is a shocking purple color, isn’t it?

DEAN

It was a gift for a special friend. We always kidded about it. He hated the color. You don’t know how many times it went in the old clothes heep. It always got retrieved. I always managed to hold onto it.

MARY

The panel really came out well, Dean. Matt would be proud of it.

DEAN

But it’s a symbol of shame, you know. My shame.

LESLIE

How can you say that, Dean dear? You cared for him with love and, I know I don’t think I could have survived it.

DEAN

No, I mean - I did everything I could, but I did it in silence. If I had just been more vocal about things . . .

GINGER

He would still be gone, hon.

DEAN

I know. But I ask myself, did I do enough. Was I too silent? You know what silence equals?

LESLIE

Act Up! That’s the lunatic fringe! You know they disrupted a Catholic mass!

DEAN

Les, you’re not Catholic.

LESLIE:

That doesn’t matter. We need to be respectful of other people’s beliefs.

DEAN

But to the point that we can stand by and let people revel in our death -as a solution to some misquoted biblical passage?

GINGER

We know you must feel anger, dear.

DEAN

I’m madder than hell that I had to sew this quilt panel for a fallen angel - my fallen angel. And as for Act Up! They are doing something, while the rest of us sit on our asses and sew!

(pause)

But it is a lovely quilt panel. It’s a shame token, but also one of love. And I haven’t finished it yet.

LESLIE

What do you mean? I thought . . .

DEAN

Nope. My dears - there’s one last act. Call me a drama queen, but one more thing to do.

He takes the two wedding rings from his pocket.

Our wedding rings.

He produces a needle and thread from the other pocket. Mr. & Mrs. Keiler enter and approach.

Now where to sew them. Where? Oh, I know.

He squats down and sews the rings onto the quilt.

Matt, dearest husband - lover and closest friend, I am sewing these symbols of our eternal bond onto that ugly, ugly purple tie, so all the world knows forever, that Dean loves Matt. — that Dean loves Matt.

(stands)

(to the audience) And that is the vigil I kept and keep.

Mrs.& Mr. Keiler embrace him. The others surround him for support as they leave the stage. There are other people walking the quilt coming to panels and weeping. There are boxes of kleenix at all corners and people hugging each other for support. The stage gradually clears. Then a solitary stagehand comes out to start breaking up the set. He puts down his tools and stops at Matt’s panel. He begins to read and is overwhelmed. He grabs some tissue - then collapses weeping.

Lights dim

End of Play